What did Donald Judd mean by specific objects?

What did Donald Judd mean by specific objects?

Judd called these mature works “specific objects” rather than sculptures or works of art, to indicate their distance from traditional ways of making sculptural art. These were “specific” because the artist carefully orchestrated their shape, scale, proportions, and materiality.

Who wrote specific objects in 1964?

In 1965, Judd created his first stack, an arrangement of identical iron units stretching from floor to ceiling. As he abandoned painting for sculpture in the early 1960s, he wrote the essay “Specific Objects” in 1964.

What is a specific object in art?

In Specific Objects (1965), Donald Judd introduces the idea of a new kind of art that is “neither painting nor sculpture.” The idea of a “specific object” suggests that Judd no longer produces art, per se, but actual items. The objects are depersonalized, with a concentration on pure form. It should just be art.

What type of art did Donald Judd make?

Contemporary art
MinimalismModern art
Donald Judd/Periods

What is the term Donald Judd used to describe his works of art which were neither painting nor sculpture?

Half or more of the best new work in the last few years has been neither painting nor sculpture. Usually it has been related, closely or distantly, to one or the other.

What did Donald Judd call his sculptures?

By the 1970s, Judd’s “specific objects,” as he liked to call these box-like forms that sat directly on the floor, had become, despite their sharp edges and flat color, more complex through his exploration of surface and color.

What is Donald Judd known for?

Donald Judd/Known for

Why did Donald Judd choose Marfa?

Judd came to Marfa not just for the space but in search of authenticity. He was dissatisfied with the New York art world in which, he felt, tastemakers and curators divorced art from its power.

How did Donald Judd make his art?

Donald Judd is a landmark figure in the history of postwar art. In the 1950s, he studied philosophy and art history and took classes at the Art Students League in New York. In 1964 Judd turned to professional sheet-metal fabricators to make his work out of galvanized iron, aluminum, stainless steel, brass, and copper.

What materials did Donald Judd use?

As diverse as his unique works in three dimensions, Judd’s works in editions were made for the floor, the wall, and the table in a range of materials: stainless steel, galvanized iron, cold-rolled steel, anodized aluminum, acrylic sheet, and wood.

What material did Donald Judd use in his sculptures quizlet?

Galvanized iron, seven boxes. Judd ignored traditional craft skills in favor of an overriding system or idea.

What influenced Donald Judd?

There’s a really great ‘eureka moment’ anecdote hidden away in our newly updated and expanded Yayoi Kusama monograph. “Judd was a theorist,” Kusama recalls “Simply put, he could not make an ordinary kind of work. In a sense, half of his work at that time was my making.”

When did Donald Judd write ” specific objects “?

Judd’s 1965 essay “Specific Objects”—though not a manifesto of minimalism as such, and inclusive of artists not usually associated with the movement—is one of the most well-known explanations of the priorities of minimalist artists.

What did Donald Judd do before he became an artist?

It identifies in broad terms a reductive new approach to making objects that are somewhere between painting and sculpture, but neither one nor the other. Importantly, Judd is not only known for this essay but for various writings of the early 1960s; before he was an artist he was an influential critic.

Why did Donald Judd distance himself from ABEX art?

Judd and others distanced themselves from “AbEx”—an art form they considered overly expressive and too concerned with the artist’s inner feelings. In contrast, their work privileged pre-determined, repetitive, unvaried, “cool” objects that generally sought to be nothing other than what they were: pure forms.

How did Donald Judd influence architecture and design?

Judd’s “look”—of his artwork as well as the design and architectural works he created as his work progressed—has been a major influence on contemporary architecture and design—particularly (but not limited to) art museums and galleries. There were obviously predecessors, such as the