What was the first name of Konstantin Korovin?

Konstantin Korovin. Konstantin Alekseyevich Korovin (Russian: Константи́н Алексе́евич Коро́вин, first name often spelled Constantin; 5 December [O.S. 23 November] 1861 – 11 September 1939) was a leading Russian Impressionist painter.

Why did Konstantin Korovin move to Paris in 1923?

In 1923 Korovin moved to Paris on the advice of Commissar of Education Anatoly Lunacharsky to cure his heart condition and help his handicapped son. There was supposed to be a large exhibition of Korovin’s works, but the works were stolen and Korovin was left penniless.

Where did Konstantin Korovin go to art school?

Konstantin’s relative Illarion Pryanishnikov was also a prominent painter of the time and a teacher at the Moscow School of Painting, Sculpture and Architecture . In 1875 Korovin entered the Moscow School of Painting, Sculpture and Architecture, where he studied with Vasily Perov and Alexei Savrasov.

Who was Konstantin Korovin’s friend in St Petersburg?

During their student years, the Korovins became friends with fellow students Valentin Serov and Isaac Levitan; Konstantin maintained these friendships throughout his life. In 1881–1882, Korovin spent a year at the Imperial Academy of Arts in St. Petersburg, but returned disappointed to the Moscow School of Painting, Sculpture and Architecture.

Konstantin Alekseyevich Korovin first name often spelled Constantin; 5 December [O.S. 23 November] 1861 – 11 September 1939) was a leading Russian Impressionist painter. Youth and education: Konstantin was born in Moscow to a merchant family officially registered as “peasants of Vladimir Gubernia”.

What kind of art did Konstantin Korovin paint?

Konstantin traveled within Russia, the Caucasus and Central Asia and exhibited with the Peredvizhniki. He painted in the Impressionist, and later in the Art Nouveau, styles. In the 1890s Korovin became a member of the Mir iskusstva art group.

What did Boris Korovin do for a living?

In 1885 Korovin worked for Mamontov’s opera house, designing the stage decor for Giuseppe Verdi’s Aida, Léo Delibes’ Lakmé and Georges Bizet’s Carmen. In 1888 Korovin traveled with Mamontov to Italy and Spain, where he produced the painting On the Balcony, Spanish Women Leonora and Ampara.