What is the story of the French lieutenants woman?

The novel explores the fraught relationship of gentleman and amateur naturalist Charles Smithson and Sarah Woodruff, the former governess and independent woman with whom he falls in love.

How is French Lieutenant’s Woman a Historiographic metafiction?

The French Lieutenant’s Woman demonstrates how completely this type of postmodern fiction, a historiographic metafiction, relies on intertextual hone. Being twofold coded, it misuses the pressure amongst certainty and fiction, between the built and the genuine.

What is metafiction in postmodernism?

What Is Metafiction? Often most closely associated with postmodern prose, metafiction involves a departure from standard narrative conventions, in which a self-aware narrator infuses their perspective into the text to create a fictional work that comments on fiction.

Why is the French Lieutenant’s woman a postmodern essay?

John Fowles’ 1969 historical bricolage, The French Lieutenant’s Woman, utilises the ideas of postmodern theorists such as Foucault, Barthes and Sartre amongst others to form a postmodern double-coded discourse which examines values inherent in the Victorian era from a twentieth century context.

Why did John Fowles write the French Lieutenant’s woman?

By the agency of ironic device John Fowles happens to achieve the experimental success of subverting Victorian elitism thinly embodied in the paleontologist Charles Smithson. The third important experimental device to achieve subversive goal is the distortions of narrative time.

Is the French Lieutenant’s woman a Victorian novel?

The French Lieutenant’s Woman is a retrospective twentieth century examination of the Victorian novel of the nineteenth century. The writer presents us with the realistic picture of the nineteenth century compared with the twentieth century.

What are the techniques used in the French Lieutenant’s woman?

Some of the major postmodern narrative techniques used in John Fowles’ The French Lieutenant’s Woman are: pastiche, fragmentation, multiple points of view, intertextuality, metafiction, and historiographic metafiction.